In the bustling workshops of our Ningbo luggage factory, where every stitch, zipper, and handle comes to life, we recently embarked on a transformation that runs deeper than polished floors or neat shelves. It’s the story of how 5S—Seiri (Sort), Seiton (Set in Order), Seiso (Shine), Seiketsu (Standardize), Shitsuke (Sustain)—turned our production spaces from functional but cluttered to streamlined, safe, and full of pride. Yau, we’re sharing this journey through “before and after” moments, because for a luggage factory, order isn’t just about looks—it’s about crafting better bags, faster, and with the care our customers deserve.
The “Before”: When Clutter Crept Into Craftsmanship
Let’s rewind to a few months ago. Walk through our cutting room, and you might have seen stacks of fabric rolls—nylon, palyester, leather blends—piled haphazardly, some leaning against worktables, others spilling into walkways. Scissors, rulers, and pattern templates jostled for space on benches, with half-used spools of thread tangled beside them. Over in the sewing area, finished tote samples sat next to half-assembled suitcases, while extra wheels and handles cluttered corners, labeled with handwritten notes that had long since smudged.
In the packing zone, it was a similar scene: cartons of different sizes stacked unevenly, packing materials (bubble wrap, tissue paper) stuffed into bins that overflowed, and a “miscellaneous” shelf where orphaned parts—straps, buckles, even a few misplaced luggage tags—accumulated. Our teams were skilled, but they spent precious minutes hunting for the right fabric swatch or digging through bins for a matching zipper. “Just how it’s always been,” we’d say, but deep down, we knew: a messy workspace slows down the very craftsmanship that makes our luggage stand out.
The 5S Makeover: Tailored for Luggage Craft
5S isn’t one-size-fits-all—and in a factory where precision matters (a misaligned zipper can ruin a bag), we adapted every step to our work.
• Sort (Seiri): We started by asking, “Does this help make better luggage?” In the cutting room, we purged worn-out fabric scraps, outdated patterns, and scissors too dull to cut cleanly. In sewing stations, we tossed broken thread spools and mismatched zipper pulls. Even in storage, we donated unused excess materials (like overstocked lining fabric) to local artisans—freeing up space and giving new life to good materials.
• Set in Order (Seiton): Every tool got a “home” that made sense for luggage work. Fabric rolls now hang on labeled racks by type (waterproof, lightweight, premium leather) so cutters can grab what they need in seconds. Sewing machines have small trays for thread spools (color-coded by thread type!) and magnetic strips for scissors. Most importantly, workbenches are divided into “zones”: a “prep area” for laying out patterns, a “work area” for cutting/sewing, and a “staging area” for finished parts—so no one wastes time moving tools back and forth.
• Shine (Seiso): We scrubbed, polished, and brightened. Cutting tables, once sticky with fabric glue, now gleam. Floors, scuffed from years of fabric scraps, were mopped and sealed. Even the sewing machine motors got a deep clean—turns out, a dust-free motor runs smoother, which means more consistent stitching.
• Standardize (Seiketsu): We created “visual rules” so everyone knows what “order” looks like. Posters in the cutting room show exactly how fabric rolls should be stacked (no more leaning!). Sewing stations have photos of “tidy vs. messy” setups. And the packing zone? A color-coded system: red bins for small parts (tags, locks), blue for packing materials, green for finished luggage ready to ship.
• Sustain (Shitsuke): 5S isn’t a project—it’s a daily habit. Each shift starts with a 5-minute “tidy check”: sewing operators reset their trays, cutters return fabric rolls, packers straighten bins. New team members learn 5S on day one, with veteran workers as “5S mentors.”The “After”: A Factory That Moves as Smoothly as Our Luggage
The “after” photos tell the story best:
• In the cutting room: Fabric rolls stand tall on labeled racks, and a quick glance shows exactly how much of each material is left. A cutter recently joked, “I used to spend 10 minutes hunting for the right fabric—now I can start cutting in 30 seconds.”
• In sewing stations: Stitching is more precise because machines run better, and operators aren’t distracted by clutter. One seamstress noted, “When my workspace is clean, I focus more on making the stitching straight—it’s like the bag deserves the care, too.”
• In packing: No more digging for tags or bubble wrap. Finished luggage lines up neatly in green bins, each tagged and ready to go. Shipping times have shaved off 15 minutes per batch—small, but when you ship hundreds of bags a day, it adds up.But the best change? Morale. Our team takes pride in their space now. One worker put it simply: “This factory makes luggage that people trust to carry their lives. Shouldn’t the place where it’s made feel trustworthy, too?”
Why It Matters: For Our Luggage, and for You
For a luggage factory, 5S isn’t about being “neat”—it’s about respect: for the materials we use, the skills of our team, and you, the customer. A clutter-free cutting room means straighter edges on your suitcase. A well-organized sewing station means zippers that glide smoothly, every time. A tidy packing zone means your luggage arrives in perfect condition, just as we made it.
To our team: Thank you for embracing this change. Your patience in rearranging, your care in cleaning, and your commitment to keeping it up—this transformation is yours. To our customers: When you unzip one of our bags, know that it was made in a factory where order and pride go into every stitch.
The “before” photos remind us where we were. The “after” photos? They’re a promise: we’ll keep making space for better luggage—one 5S step at a time.
Check out our website to see the full before-and-after gallery—from cluttered workbenches to streamlined stations, it’s all there. Kuma ka dage: Wannan shine kawai babi na farko na yin fim ɗinmu na NGOBO mafi kyawun kayan aikin da za ku so.
